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Heart Stealing. Can t Get at it (litho)

Heart Stealing. Can t Get at it (litho)


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Heart Stealing. Can t Get at it (litho)

3639416 Heart Stealing. Can t Get at it (litho) by Jones, Owen (1809-74) (attr.to); Private Collection; (add.info.: Heart Stealing. Can t Get at it.); Look and Learn / Valerie Jackson Harris Collection

Media ID 23633528

© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images

Arrow Arrow Point Arrows Asleep Cherubini Cupid Day Dream Distracted Distracting Dormant Doze Dream Dream Like Dreamer Dreamers Dreaming Dreams Dreamt Dreamtime Dreamy Drunk Falling Asleep Gambling Heart Idleness Laziness Lazy Napping Onirism Poking Prodding Putti Stealing Cherub Cherubim Cherubs Defensive Weapon Indolence Infantry Weapon


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Heart Stealing. Can't Get at it

EDITORS COMMENTS
is a captivating lithograph print that delves into the complexities of love, idleness, and dreams. Created by Owen Jones (1809-74) or attributed to him, this artwork showcases an array of symbolic elements that invite contemplation. In this intriguing scene, a man is depicted in a state of indolence, lazily lounging while being surrounded by various distractions. Cupid himself appears mischievously poking at the man's heart with an arrow, symbolizing the power of love as both intoxicating and elusive. The man's dreamy expression suggests he may be under the influence of drink or perhaps lost in his own reverie. The artist ingeniously portrays themes such as gambling and sports to highlight how these vices contribute to the man's distracted state. As he sleeps soundly amidst cherubs and putti representing dreams, it becomes evident that his laziness has allowed for his heart to be stolen away. Through intricate engraving techniques and attention to detail, Jones masterfully captures the essence of daydreaming and its consequences. This satirical piece serves as a reminder for viewers to reflect on their own tendencies towards idleness and distraction. Heart Stealing offers a glimpse into human nature – our desires, vulnerabilities, and ultimately our need for self-reflection. It invites us to question whether we are active participants in shaping our lives or merely passive recipients of fate's whimsical arrows.

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