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The Giour admits Vathek and Nouronihar into Eblis (etching)

The Giour admits Vathek and Nouronihar into Eblis (etching)


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The Giour admits Vathek and Nouronihar into Eblis (etching)

3622580 The Giour admits Vathek and Nouronihar into Eblis (etching) by Tourrier, Alfred Holst (1836-92); Private Collection; (add.info.: The Giour admits Vathek and Nouronihar into Eblis. Illustration from The History of the Caliph Vathek by William Beckford (J C Nimmo and Bain, London, 1883).); © Look and Learn

Media ID 22456158

© Look and Learn / Bridgeman Images

Caliph Fiction William Beckford Eblis


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EDITORS COMMENTS
The Giour admits Vathek and Nouronihar into Eblis" is a captivating etching by Alfred Holst Tourrier that transports us to the world of William Beckford's gothic novel, "The History of the Caliph Vathek". This dramatic scene depicts the moment when the mysterious Giour grants entrance to Vathek and his lover Nouronihar into the realm of Eblis. Tourrier's intricate etching brings to life the vivid imagination of Beckford's literary masterpiece. The detailed costumes worn by Vathek and Nouronihar reflect their 18th-century setting, while also incorporating elements inspired by Islamic culture. The fusion of these influences adds depth and richness to this visual interpretation. As we gaze upon this print, we are drawn into a world where religion, power, and desire intertwine. The tension in their faces reveals both excitement and trepidation as they step foot into Eblis' domain. It is a pivotal moment in their journey, where they willingly surrender themselves to temptation and embark on a path filled with unknown consequences. Through this artwork, Tourrier captures not only the essence of Beckford's work but also invites us to contemplate themes such as morality, forbidden desires, and human nature. It serves as a reminder that literature has the power to transport us beyond our reality while shedding light on universal truths. This print from Fine Art Finder allows us an intimate glimpse into one artist's interpretation of an iconic scene from

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