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Devils Acre, Westminster (engraving)

Devils Acre, Westminster (engraving)


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Devils Acre, Westminster (engraving)

585201 Devils Acre, Westminster (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Devils Acre with the Palace of Westminster in the background, from an 1872 illustration by Gustave Dore.); Look and Learn / Peter Jackson Collection

Media ID 22691072

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Gustave Dore Slums Westminster


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> Arts > Artists > D > Gustave Dore

> Europe > France > Related Images

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Sights > Palace of Westminster

> Europe > United Kingdom > England > London > Slums

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Gustave Dore

> Fine Art Finder > Temp Classification


EDITORS COMMENTS
This print titled "Devils Acre, Westminster" takes us back to the 19th century streets of London, where poverty and destitution were rampant. The engraving by Gustave Dore showcases Devils Acre, a notorious slum area in Westminster, with the majestic Palace of Westminster looming in the background. Dore's illustration skillfully captures the stark contrast between wealth and squalor during this era. The dilapidated buildings and cramped living conditions depicted here serve as a poignant reminder of the hardships faced by the poor in Victorian London. It is through art like this that we gain insight into social issues that plagued society at that time. The artist's attention to detail brings life to every corner of this scene, from weary figures trudging along muddy streets to laundry hanging out on lines strung across narrow alleyways. Dore's mastery shines through as he expertly portrays both architectural grandeur and human struggle within a single frame. This piece serves as a testament to Dore's talent as an artist and his ability to use his work as a means of shedding light on societal injustices. As we gaze upon this print, we are transported back in time, compelled to reflect on how far society has come since then while also recognizing that there is still much work left to be done in addressing poverty and inequality today.

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