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Crown and chalice from Abyssinia (chromolitho)

Crown and chalice from Abyssinia (chromolitho)


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Crown and chalice from Abyssinia (chromolitho)

2775250 Crown and chalice from Abyssinia (chromolitho) by English School, (19th century); Private Collection; (add.info.: Crown and chalice from Abyssinia. Illustration for Naval and Military Trophies (John C Nimmo, 1896), based on a series of water colour drawings by William Gibb.); Look and Learn / Valerie Jackson Harris Collection; English, out of copyright

Media ID 23467932

© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images

Abyssinia Chalice Relic Relics Remains Trophies Trophy


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EDITORS COMMENTS
This chromolitho print showcases a magnificent Crown and chalice from Abyssinia, capturing the essence of warfare and military history. Created by an English School artist in the 19th century, this remarkable piece is now part of a private collection. The intricate details of the crown and chalice are brought to life through vibrant colors and meticulous craftsmanship. Each element tells a story of valor and power, symbolizing the triumphs achieved on the battlefield. These relics stand as tangible reminders of past conflicts, serving as trophies that embody both victory and sacrifice. Originally featured in Naval and Military Trophies by John C Nimmo in 1896, this illustration was based on watercolor drawings by William Gibb. The authenticity captured within this print transports us back to a time when wars were fought with honor and bravery. As we gaze upon this image, we cannot help but be drawn into its historical significance. It serves as a testament to human resilience during times of conflict while also reminding us of our shared heritage. This print offers viewers an opportunity to reflect on the impact war has had throughout history – shaping nations, cultures, and individuals alike. Bridgeman Images has preserved this extraordinary artwork for future generations to appreciate its beauty while contemplating the profound stories it holds within its brushstrokes.

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