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The Arrest of John Brown, of Ashford, a Lollard, and One of the First Martyrs in the Early Part of Henry VIIIs Reign (engraving)
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The Arrest of John Brown, of Ashford, a Lollard, and One of the First Martyrs in the Early Part of Henry VIIIs Reign (engraving)
1608791 The Arrest of John Brown, of Ashford, a Lollard, and One of the First Martyrs in the Early Part of Henry VIIIs Reign (engraving) by English School, (19th century); Private Collection; (add.info.: The Arrest of John Brown, of Ashford, a Lollard, and One of the First Martyrs in the Early Part of Henry VIIIs Reign. Illustration for The Illustrated London News, 10 May 1856.
English School (19th Century)); Look and Learn / Illustrated Papers Collection
Media ID 23406950
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Arrest Arrests Ashford Domestic Scenes John Brown Lollard Martyrs
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EDITORS COMMENTS
The engraving titled "The Arrest of John Brown, of Ashford, a Lollard, and One of the First Martyrs in the Early Part of Henry VIII's Reign" captures a poignant moment in history. Created by an unknown English artist in the 19th century, this print depicts the arrest of John Brown, a devout Lollard during Henry VIII's reign. Intriguingly detailed, the scene showcases domestic surroundings as authorities apprehend Brown for his religious beliefs. The image serves as a reminder of the turbulent times when Protestant Covenanters faced persecution for their faith. As one of the first martyrs under Henry VIII's rule, Brown symbolizes those who courageously stood up against religious oppression. This historical illustration was originally featured in The Illustrated London News on May 10th, 1856. Its inclusion highlights how significant events from different eras can be brought to life through artistry and storytelling. Preserved within a private collection and made available by Bridgeman Images via Fine Art Finder, this engraving offers viewers an opportunity to reflect upon past struggles for religious freedom and appreciate those who sacrificed everything for their beliefs. It is both a testament to human resilience and a visual representation of an important chapter in British history that should never be forgotten.
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