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Alexander Dickson, botanist, 1884

Alexander Dickson, botanist, 1884


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Alexander Dickson, botanist, 1884

UIG5070788 Alexander Dickson, botanist, 1884 by Hole, William Brassey (1846-1917); Science Museum, London, UK; (add.info.: Alexander Dickson, botanist, 1884. Engraving by W Hole of Dickson at his microscope, a cigar in one hand. The poem refers to the Latin nomenclature of plants. From 'Quasi Cursores'.); SSPL/UIG

Media ID 38711454

© SSPL/UIG / Bridgeman Images

Cigar Home Office Smoking Addiction Tables Tobacco Tobacco Box Tobacco Packet Tobacco Product Natural Sciences


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > William Alexander

> Arts > Artists > H > William Hole

> Arts > Artists > W > William White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > United Kingdom > England > London > Museums > Natural History Museum

> Europe > United Kingdom > England > London > Museums > Science Museum

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > William Brassey Hole


EDITORS COMMENTS
Here is a possible caption for the photo print: **Alexander Dickson: A Botanist's Pursuit of Knowledge** This engraving, created in 1884, captures botanist Alexander Dickson at work behind his microscope. With a cigar held casually between his fingers, he embodies the quintessential image of an intellectual absorbed in his craft. The poem inscribed on the surrounding table refers to the Latin nomenclature used by botanists like Dickson to classify and describe plant species. As we gaze upon this 19th-century portrait, we are transported into a world where natural history was at the forefront of scientific inquiry. Dickson's dedication to his work is palpable, as he meticulously examines specimens under the microscope. The engraving itself showcases William Brassey Hole's skillful craftsmanship, with its intricate details and subtle shading. This rare glimpse into the life of Alexander Dickson serves not only as a testament to his contributions to botany but also as an evocative representation of the era in which he lived - a time when scientific discovery was rapidly advancing.

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