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He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens (1812-70) (colour litho)
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He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens (1812-70) (colour litho)
PER248009 He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens (1812-70) (colour litho) by French School, (20th century); Private Collection; (add.info.: Il ne la sait pas, intervint, Miss Murdstone, terrible ; Edward Murdstone is the gentleman who marries Clara Copperfield; )
Media ID 25458346
© Bridgeman Images
Cruel Cruelty Dickensian Father In Law Literary Character Sister Characters
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EDITORS COMMENTS
The captivating print titled "He Doesn't Know It. Terrible" captures a powerful moment from Chapter IV of Charles Dickens' renowned novel, David Copperfield. The colour litho, created by the French School in the 20th century, showcases an intense scene interrupted by Miss Murdstone's intervention. In this poignant image, we witness the interior setting where Miss Murdstone, Edward Murdstone's sister and a cruel literary character, interrupts with a sense of urgency. Her interruption suggests that something terrible is about to unfold or has already occurred. The viewer is left intrigued and eager to delve deeper into the story. Edward Murdstone himself plays a significant role in this narrative as he marries Clara Copperfield, David's mother-in-law. This connection adds further complexity to the characters involved and hints at potential conflicts within their relationships. The Victorian era ambiance is palpable through the depiction of period-specific details and costumes worn by these Dickensian characters. The artist skillfully portrays both the emotional intensity and cruelty that permeate this particular scene. This remarkable print from Fine Art Finder allows us to appreciate not only its artistic value but also invites us to explore one of literature's most beloved works. Its presence in any private collection would undoubtedly serve as a conversation starter for those who appreciate classic literature and fine art alike.
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