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"There was an Old Man of the North, who fell into a basin on broth", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
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"There was an Old Man of the North, who fell into a basin on broth", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
LLM386690 " There was an Old Man of the North, who fell into a basin on broth", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn
Media ID 22676476
© Look and Learn / Bridgeman Images
Accident Boiling Cauldron Childrens Humourous Limerick Limericks Rescuing Rhyme Rhymes Saving Soup Tureen Scalding Verse
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EDITORS COMMENTS
This vibrant and whimsical print captures a comical moment from Edward Lear's renowned book of nonsense, published in London around 1875. The illustration titled "There was an Old Man of the North, who fell into a basin on broth" depicts a hilarious mishap involving an elderly man and a boiling cauldron of soup. The scene is filled with humor and satire as we see the old man helplessly submerged in the steaming broth while a concerned female figure rushes to his aid. The artist skillfully portrays the chaos and absurdity of the situation through exaggerated facial expressions and dynamic composition. Lear's limerick, written in 1846, accompanies this delightful image, adding another layer of amusement to the artwork. This playful combination of verse and illustration showcases Lear's mastery at creating nonsensical rhymes that have entertained generations. As we delve into this charming piece, we are transported back to Victorian times when illustrated poetry for children was immensely popular. The vivid colors and intricate details bring life to Lear's imaginative world, making it enjoyable for both young readers and adults alike. This print serves as a reminder of how art can evoke laughter and joy even centuries after its creation. It stands as a testament to Edward Lear's enduring legacy as one of literature's most beloved nonsense poets.
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