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Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century
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Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century
5855382 Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessiss " Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.); © Florilegius
Media ID 23711788
© Florilegius / Bridgeman Images
16th 17th 1867 18th Captain Clothing Style Count Didier Duplessis Edmond Lechavellier Chevignard Fashiom Fashion Trend Flameng Gardes Georges Handcolored Historiques Laguillermie Lechevallier Chevignard Porte Siecles Centuries Vergennes
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EDITORS COMMENTS
This print showcases the Count of Vergennes, a distinguished captain of the Gardes de la Porte du Roi in 18th century France. The handcolored illustration, created by renowned artist E. Lechevallier-Chevignard and lithographed by A. Didier, L. Flameng, and F. Laguillermie, exudes an air of elegance and grandeur. The Count of Vergennes is depicted in his resplendent military uniform, adorned with intricate details that reflect the fashion trends of the time. His commanding presence is palpable as he stands tall with confidence and authority. This image comes from Georges Duplessis' esteemed publication "Costumes historiques des XVIe, XVIIe et XVIIIe siècles" (Historical costumes of the 16th, 17th and 18th centuries), which was published in Paris in 1867 as a continuation to Camille Bonnard and Paul Mercuri's earlier series on costumes from the 12th to 15th centuries. Georges Duplessis himself was a curator at Bibliotheque nationale's Prints department while Edmond Lechevallier-Chevignard was an accomplished artist known for his book illustrations and interior design work for public buildings and churches. This mesmerizing print captures not only a moment frozen in time but also offers us a glimpse into the rich history and opulent fashion choices prevalent during this period in French society.
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