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Plate 684. Fallow Deer; A, Buck and Doe; B, Two Does; Trotting, 1885 (collotype on paper)

Plate 684. Fallow Deer; A, Buck and Doe; B, Two Does; Trotting, 1885 (collotype on paper)


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Plate 684. Fallow Deer; A, Buck and Doe; B, Two Does; Trotting, 1885 (collotype on paper)

3950678 Plate 684. Fallow Deer; A, Buck and Doe; B, Two Does; Trotting, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.8x32.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume XI, Wild Animals and Birds); gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 23659342

© gift of the Edwin J. Beinecke Trust / Bridgeman Images

Animal Locomotion Antlers Buck Deer Early Motion Picture Sequence Frames Horns Motion Sequence Sequential Stop Motion Trot Trotting Wild Animals B W Photo Black And White Photograph Stroll Strolling


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EDITORS COMMENTS
This photograph, titled "Plate 684. Fallow Deer; A, Buck and Doe; B, Two Does; Trotting" captures the essence of animal locomotion in a mesmerizing way. Taken by renowned photographer Eadweard Muybridge in 1885, this collotype print showcases the beauty and grace of fallow deer as they trot through their natural habitat. The image is part of Muybridge's groundbreaking series called "Animal Locomotion" which aimed to study movement through sequential photography. Each frame in this early motion picture sequence provides a scientific insight into the behavior and anatomy of these wild animals. In this particular plate, we see a buck and doe gracefully trotting side by side while two other does follow closely behind. The antlers on the buck symbolize strength and dominance within their species, adding an element of power to the composition. Muybridge's meticulous attention to detail allows us to witness every subtle movement captured in each frame. From the rhythmic strides of their legs to the gentle sway of their bodies, this photograph truly brings these majestic creatures to life. Displayed at Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this print serves as both an artistic masterpiece and a valuable scientific study. It reminds us that even centuries ago, photography was already pushing boundaries by capturing moments frozen in time for further analysis and appreciation.

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