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Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper)

Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper)


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Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper)

3950295 Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x44.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 23259820

© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images

Animal Locomotion Early Motion Picture Sequence Fast Frames Loincloth Motion Pelvis Cloth Semi Naked Sequence Sequential Speed Sprint Sprinter Sprinting Stop Motion Thong B W Photo Black And White Photograph


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EDITORS COMMENTS
This photograph, titled "Plate 61. Running at Full Speed (Imperfect Action, Shoes)", captures a moment frozen in time from Eadweard Muybridge's groundbreaking series on animal locomotion. Taken between 1872 and 1885, this collotype print showcases the early stages of motion picture sequences. In this particular frame, we witness a male figure sprinting with incredible speed and intensity. The man is shown semi-naked, wearing only a pelvis cloth that accentuates his athletic form. His powerful strides are perfectly captured as he propels himself forward with great force. Muybridge's scientific approach to photography shines through in this image as he meticulously studied movement and sequential action. Each frame of the sequence reveals imperfections in the subject's running technique - hence the title "Imperfect Action". This attention to detail adds an element of realism to the photograph, making it not just a work of art but also a valuable scientific study. The dynamic composition draws our eyes towards the runner's feet clad in shoes specially designed for fast-paced activities. The blurred background further emphasizes his swift motion against a static backdrop. As we gaze upon this historical snapshot frozen in time, we can't help but marvel at Muybridge's pioneering contribution to both art and science.

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