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Plate 41. Walking, Flirting a Fan, 1872-85 (collotype on paper)
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Plate 41. Walking, Flirting a Fan, 1872-85 (collotype on paper)
3950363 Plate 41. Walking, Flirting a Fan, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.6x35.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume VI, Females (Semi Nude) & Children); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659172
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Early Motion Picture Sequence Fanning Flirt Flirting Frames Gown Motion Robe Sequence Sequential Stop Motion B W Photo Black And White Photograph Stroll Strolling
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This photograph, titled "Plate 41. Walking, Flirting a Fan" captures the essence of motion and action in a mesmerizing early motion picture sequence. Taken by renowned photographer Eadweard Muybridge between 1872-85, this collotype print on paper measures 20.6x35.2 cm. Part of Muybridge's groundbreaking series "Animal Locomotion" published in 1887, this particular plate belongs to Volume VI dedicated to Females (Semi Nude) & Children. It is housed at the Addison Gallery of American Art in Phillips Academy, Andover, MA, USA. The image showcases a woman elegantly walking while simultaneously flirting with her fan. Her flowing dress adds gracefulness to her stride as she strolls along with confidence and allure. The sequential frames freeze each moment meticulously, allowing for scientific study and analysis of movement. Muybridge's work revolutionized photography and laid the foundation for early motion pictures through his stop-motion technique capturing multiple frames per second. This photograph exemplifies his dedication to capturing human locomotion scientifically while also highlighting its artistic beauty. Gifted by the Edwin J. Beinecke Trust to the Addison Gallery of American Art, this print serves as a testament to Muybridge's pioneering contribution to both photography and science during his lifetime (1830-1904).
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