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St Nicholas resurrecting three children (oil on canvas, 17th-18th century)

St Nicholas resurrecting three children (oil on canvas, 17th-18th century)


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St Nicholas resurrecting three children (oil on canvas, 17th-18th century)

LRI4699556 St Nicholas resurrecting three children (oil on canvas, 17th-18th century) by Badaracco, Gio Raffaele (1648-1717); San Nicolo del Boschetto, Genoa, Italy; (add.info.: Representation of Saint Nicholas of Myra or Bari (270-345) (Nicholas of Myra) resurrecting the three children (st Nicholas resurrecting three children) Painting by Gio Raffaele Badaracco (1645-1717) Genes, Chiesa di San Nicolo del Boschetto Italy); Luisa Ricciarini

Media ID 25185994

© Luisa Ricciarini / Bridgeman Images

4th 4th 4th Iv Iv 4th Century Baroque Style Barrel Eveque Lacrosse Miracle Resurrection Saint Nicholas


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> Arts > Art Movements > Baroque

> Arts > Fine Art

> Europe > Italy > Bari

> Europe > Italy > Genoa

> Europe > Italy > Liguria > Genoa

> Europe > Italy > Paintings

> Europe > Italy > Posters

> Europe > Italy > Puglia > Bari

> Europe > Italy > Related Images

> Fine Art Finder > Artists > Gio Raffaele Badaracco

> Popular Themes > Religious Images


EDITORS COMMENTS
This oil on canvas print, titled "St Nicholas resurrecting three children" transports us back to the 17th-18th century in Genoa, Italy. Painted by Gio Raffaele Badaracco (1648-1717), it depicts a powerful representation of Saint Nicholas of Myra or Bari (270-345) performing a miraculous act. In this scene, we witness St Nicholas standing before three lifeless children who have tragically met their demise. With an air of divine intervention, the saint raises his hands towards the heavens as if summoning celestial powers. Suddenly, an angelic figure descends from above and breathes new life into the young souls. Badaracco's masterful use of color and light creates a sense of ethereal beauty that permeates throughout the painting. The baroque style adds depth and drama to every brushstroke, emphasizing both the solemnity and hopefulness within this religious narrative. The composition is further enriched by intricate details such as a lacrosse stick symbolizing death being cast aside and a barrel representing salvation. These symbolic elements enhance our understanding of St Nicholas' role as protector and savior. As we gaze upon this remarkable artwork captured by Luisa Ricciarini's lens, we are reminded not only of its historical significance but also its spiritual resonance. It serves as a testament to faith's ability to transcend time and connect generations through artistry that speaks directly to our souls.

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