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Reverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold)
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Reverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold)
475772 Reverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold) by Italian School, (11th century); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Created after 1038, it was modelled after the Fatimid quarter-dinar of al-Mu izz. The tarA, or quarter-dinar, struck by the Aghlabid caliphs in Sicily after their conquest of Syracuse in 878. On the obverse, these coins carry the Muslim profession of the faith, There is no God but God, Muhammad is the Prophet of God, while the reverse identifies the ruler and, in the outer ring, the mint and hegira date, reckoned in lunar years from Muhammads flight from Mecca to Medina in July 622 AD); eFitzwilliam Museum; Italian, out of copyright
Media ID 23163070
© Fitzwilliam Museum / Bridgeman Images
Coinage Currency Gold Coin Moslem
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EDITORS COMMENTS
This print showcases the Reverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold), an exquisite piece from the 11th century Italian School. Housed in the prestigious Fitzwilliam Museum at the University of Cambridge, UK, this artwork is a testament to the rich history and cultural exchange between civilizations. Crafted after 1038, this coin was inspired by the Fatimid quarter-dinar of al-Mu'izz, reflecting its influence on Italian art during that period. The obverse side bears a powerful Muslim profession of faith - "There is no God but God, Muhammad is the Prophet of God" while on its reverse side lies intricate detailing identifying both ruler and mint location. The Aghlabid caliphs struck these coins in Sicily following their conquest of Syracuse in 878 AD. The outer ring features lunar year dates based on Muhammads flight from Mecca to Medina in July 622 AD. With its stunning gold hue and pseudo-cufic epigraphy, this tari serves as a tangible link to Islamic culture and numismatic heritage. It symbolizes not only monetary value but also represents centuries-old connections between diverse communities across time and space. As we admire this remarkable artifact captured through Bridgeman Images' lens for Fine Art Finder, let us appreciate how art can transcend borders and foster understanding among different cultures throughout history.
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