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An Indian Encampment at Sunset, 1861-69 (oil on card mounted on paperboard)
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An Indian Encampment at Sunset, 1861-69 (oil on card mounted on paperboard)
5042985 An Indian Encampment at Sunset, 1861-69 (oil on card mounted on paperboard) by Catlin, George (1796-1872); 46x62.6 cm; National Gallery of Art, Washington DC, USA; (add.info.: On the Neosho (Native American word generally accepted to be of Osage derivation).); American, out of copyright
Media ID 23573614
© Bridgeman Images
American Indian Americas Amerindian Animal Skin Bison Dusk Indigenous Native America North American Indian Plains Indians Sundown Tents Tepee Tribe Osage
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EDITORS COMMENTS
This print titled "An Indian Encampment at Sunset, 1861-69" by George Catlin showcases the mesmerizing beauty of an indigenous American tribe. The painting, created with oil on card mounted on paperboard, measures 46x62.6 cm and is housed in the National Gallery of Art in Washington DC. The artwork transports us to a serene scene set against the backdrop of a breathtaking sunset. In this picturesque setting along the Neosho river, we witness an Osage encampment as depicted by Catlin's skilled brushstrokes. The artist's attention to detail brings forth a vivid portrayal of Native American life during that era. The oval-shaped composition captures various elements that define these tribes' existence - from animal skins used for clothing and shelter to tepees dotting the landscape. The presence of bison hints at their significance in sustaining these communities both physically and spiritually. As dusk settles over the camp, one can almost feel the tranquility enveloping this sacred space. It serves as a reminder of our connection with nature and how indigenous cultures have long revered and harmonized with their surroundings. Catlin's masterpiece not only preserves history but also pays homage to Native American heritage. This powerful image invites contemplation about their way of life while celebrating their resilience amidst changing times.
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