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Primavera, c. 1478, (tempera on panel) (detail of 558)

Primavera, c. 1478, (tempera on panel) (detail of 558)


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Primavera, c. 1478, (tempera on panel) (detail of 558)

BEN362951 Primavera, c.1478, (tempera on panel) (detail of 558) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 203x314 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Media ID 23252510

© Raffaello Bencini / Bridgeman Images

Chloris Cupid Le Printemps Mars Mythical Figures Oranges Spring Three Graces Venus Zephyr Allegorical Quattrocento


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EDITORS COMMENTS
This print showcases a mesmerizing detail of Sandro Botticelli's masterpiece, "Primavera" created in 1478. The painting itself is a tempera on panel, measuring an impressive 203x314 cm and is housed in the prestigious Galleria degli Uffizi in Florence, Italy. In this particular section of the artwork, we are introduced to a scene filled with mythical figures and allegorical symbolism. The three graces gracefully dance together while Cupid hovers above them, adding an element of love and desire to the composition. Flora, the goddess of spring and flowers, stands nearby surrounded by vibrant oranges that symbolize fertility and abundance. The presence of Zephyr, the gentle wind god from Greek mythology, adds movement to the painting as he forcefully pursues Chloris. As their story goes, Chloris transforms into Flora after being pursued by Zephyr against her will. Botticelli's meticulous attention to detail and his mastery of capturing delicate expressions make this piece truly remarkable. It exemplifies the essence of Renaissance art with its harmonious colors and graceful figures. Through this print captured by A© Raffaello Bencini's lens, viewers can appreciate every brushstroke and intricate detail up close. It allows us to delve into Botticelli's world where mythology intertwines with beauty and allegory reigns supreme.

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