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The Superintendant Jacques de Semblancay (c. 1445-1527) sentenced to death

The Superintendant Jacques de Semblancay (c. 1445-1527) sentenced to death


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The Superintendant Jacques de Semblancay (c. 1445-1527) sentenced to death

XIR164996 The Superintendant Jacques de Semblancay (c.1445-1527) sentenced to death, going up to the Montfaucon Gibbet, 1909 (w/c on paper) (b/w photo) by Robida, Albert (1848-1926); Musee Municipal Antoine Vivenel, Compiegne, France; (add.info.: original w/c for Francois I by G. Tondouze published in 1909; Jacques de Beaune, baron de Semblancay; ); French, out of copyright

Media ID 23366228

© Bridgeman Images

Condemned Gallows Hanging Ile De France Scaffold Punishment


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The Superintendant Jacques de Semblancay (c. 1445-1527) Sentenced to Death - A Glimpse into Renaissance Justice

EDITORS COMMENTS
. This photo print, captured by the talented artist Albert Robida in 1909, takes us back in time to witness a somber moment in history. The image portrays the infamous French figure, Jacques de Semblancay, being led towards his ultimate fate at the Montfaucon Gibbet. Jacques de Semblancay was not just an ordinary man; he held a significant position as the French finance minister during the reign of King François I. However, his power and influence were overshadowed by corruption allegations that ultimately sealed his tragic destiny. As we gaze upon this poignant scene, we are transported to 16th-century France – a period characterized by political intrigue and ruthless punishment. De Semblancay's journey up to the gallows symbolizes both the end of an era for him personally and serves as a stark reminder of justice's unforgiving nature during this tumultuous time. Robida's skillful use of watercolor on paper brings depth and emotion to this historical snapshot. The shades of gray evoke a sense of melancholy while emphasizing the gravity of De Semblancay's impending doom. Through this remarkable artwork from Bridgeman Images' collection, we are reminded that even those who wield great power can fall victim to their own actions. It invites contemplation on themes such

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