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Le Rire, Satirique en Couleurs, 1912_1_6 : toys in sale (engraving)
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Le Rire, Satirique en Couleurs, 1912_1_6 : toys in sale (engraving)
ICA4838822 Le Rire, Satirique en Couleurs, 1912_1_6 : toys in sale (engraving) by Metivet, Lucien (1863-1930); (add.info.: Le Rire, Satirique en Couleurs, 1912_1_6: Le Bazar du rire - jouets en solde Illustration par Lucien Metivet (1863-1932)); Photo eCaricadoc; French, out of copyright
Media ID 22827094
© Caricadoc / Bridgeman Images
20 20e 20eme Xx Xxe Xxeme Siecle Aerostat Airship Balloon Allegorie Annees 1910 Annees 10 Annees Dix Balancing Officer Cabaret Circus Cirque Clown Doll Economie Economy Femme Nue France Francais Francaise Francaises Gouvernement Jouet Livre Mouton Mutton Naked Woman Objet Paint Palette Paintbrush Palette De Peinture Pinceau Politique Poupee Presse Safe Caricadoc Gravure
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Le Rire, Satirique en Couleurs, 1912_1_6 - Toys in Sale
EDITORS COMMENTS
. This print captures the essence of a bygone era, transporting us back to the early 20th century. The image showcases an engraving from "Le Rire, Satirique en Couleurs" a renowned French satirical magazine known for its clever commentary on politics and society. In this particular illustration by Lucien Metivet, we are taken into the whimsical world of a toy sale at "Le Bazar du rire". The scene is filled with an array of intriguing objects and characters that pique our curiosity. A colorful circus tent serves as the backdrop for this bustling market where toys come alive. Amongst the chaos, we spot various allegorical figures representing different aspects of French society. From a balancing officer symbolizing government control to an airship balloon signifying technological progress, each element adds depth to this intricate composition. The artist's attention to detail is evident as he includes playful touches such as a clown juggling mutton chops and a naked woman serving as an unexpected centerpiece. These elements inject humor into what could otherwise be seen as serious political satire. As we delve deeper into this visual feast, it becomes clear that Metivet's work not only entertains but also offers insightful social commentary on topics ranging from economy and press freedom to cabaret culture and government corruption. Through this remarkable engraving preserved in time, we are reminded of both the artistic
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