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Illustration of George of Ostoya-Sochinsky called D Ostoya (1878-1937) in Le Rire
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Illustration of George of Ostoya-Sochinsky called D Ostoya (1878-1937) in Le Rire
ICA4848028 Illustration of George of Ostoya-Sochinsky called D Ostoya (1878-1937) in Le Rire, 19/10/12 - First couacs - Russia, Germany Prussia, Music, Europe, President of the Republic, Ireland, Guitar - Poincare Raymond by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: Illustration of George of Ostoya-Sochinsky called D Ostoya (1878-1937) in Le Rire, 19/10/12 - First couacs - Russia, Germany Prussia, Music, Europe, President of the Republic, Ireland, Guitar - Poincare Raymond); Photo eCaricadoc; French, out of copyright
Media ID 22289268
© Caricadoc / Bridgeman Images
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This print captures the illustration of George of Ostoya-Sochinsky, also known as D Ostoya (1878-1937), featured in Le Rire. The artwork, titled "First couacs - Russia, Germany Prussia, Music, Europe, President of the Republic, Ireland, Guitar - Poincare Raymond" showcases the talent and creativity of Georges d'Ostoya. The image depicts a scene filled with political satire and musical references. With Russia and Germany at the forefront, along with Prussia's involvement and European influences in music, this illustration provides a humorous take on international affairs during that time period. Additionally, it highlights President Poincare Raymond's role in these matters. The inclusion of Ireland suggests that even though geographically separate from mainland Europe, it still played a significant part in these political discussions. The presence of a guitar adds an artistic touch to the composition while symbolizing cultural expression through music. Georges d'Ostoya's skill as an engraver is evident in this detailed newspaper illustration. His work reflects his ability to capture complex themes using fine lines and shading techniques. Overall, this print offers viewers a glimpse into early 20th-century European politics through artistry and wit. It serves as both historical documentation and a testament to Georges d'Ostoya's talent as an illustrator during his time.
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