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Cover of "Le Don Quixote", number 314, Satirique en Couleurs

Cover of 'Le Don Quixote', number 314, Satirique en Couleurs


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Cover of "Le Don Quixote", number 314, Satirique en Couleurs

ICA4926640 Cover of " Le Don Quixote", number 314, Satirique en Couleurs, 1880_6_25: It was hard to tear! - Commune de Paris/War/Siege, Medical, Amnesty - Gambetta Leon - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 314, Satirique en Couleurs, 1880_6_25: It was hard to tear! - Commune de Paris/War/Siege, Medical, Amnesty - Gambetta Leon - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 23344036

© Caricadoc / Bridgeman Images

After War Armchair Armchairs Commune Of Paris Dentist Dentition Gambetta Leon 1838 1882 Parliament Senat A Journal Caricadoc Journalism


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Charles Martin

> Europe > France > Military

> Europe > France > Paris > Politics

> Fine Art Finder > Artists > Charles Gilbert-Martin

> Popular Themes > Politics


EDITORS COMMENTS
The print captures the cover of "Le Don Quixote", number 314, Satirique en Couleurs, dating back to 1880. The artwork is an illustration by Charles Gilbert-Martin and depicts a political allegory set during the Commune de Paris/War/Siege era. The image showcases various symbolic elements such as dentition, an armchair, and a cog, all representing different aspects of society. The cover portrays the struggle for amnesty and medical aid in post-war France. It features Gambetta Leon, a prominent figure at that time who advocated for these causes. The engraving cleverly combines satire with powerful imagery to convey its message. The artist's attention to detail is evident in every aspect of this composition. From the intricate furniture design to the depiction of doctors and dentists working together towards a common goal, each element adds depth to the narrative. This piece serves as both historical documentation and artistic expression. It reflects the social climate of late 19th-century France while showcasing Gilbert-Martin's skill as an engraver. As we gaze upon this print today, it reminds us of how art has always been intertwined with politics and societal issues throughout history. It invites us to reflect on past struggles and appreciate how far we have come in our pursuit of justice and equality.

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