Home > Arts > Artists > M > Charles Martin
Cover of "Le Don Quixote", number 276, Satirique en Couleurs
Wall Art and Photo Gifts from Fine Art Finder
Cover of "Le Don Quixote", number 276, Satirique en Couleurs
ICA4926435 Cover of " Le Don Quixote", number 276, Satirique en Couleurs, 1879_10_3: Souvenir d un banquet du 29 septembre - Anticlericalism, Droites - Bombance/Gourmandise, Eg avec reactionaries, Lourdes - Legitimist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 276, Satirique en Couleurs, 1879_10_3: Souvenir d un banquet du 29 septembre - Anticlericalism, Droites - Bombance/Gourmandise, Eg avec reactionaries, Lourdes - Legitimist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 23718322
© Caricadoc / Bridgeman Images
Agreement Anticlericalism Bottle Feast Flask Physical Deformations Royalist Movement A Journal Caricadoc Journalism
FEATURES IN THESE COLLECTIONS
> Arts
> Artists
> M
> Charles Martin
> Fine Art Finder
> Artists
> Charles Gilbert-Martin
EDITORS COMMENTS
This print showcases the cover of "Le Don Quixote", number 276, Satirique en Couleurs. Created in 1879 by Charles Gilbert-Martin, this illustration is a powerful depiction of political satire and social commentary during that time period. The image captures a banquet scene from September 29th, filled with symbolism and hidden messages. The artist cleverly incorporates elements such as anticlericalism, bombance/gourmandise, reactionaries, Lourdes, Legitimist movement, Jesuites, and more to convey his critique of various societal issues. Through this artwork, Gilbert-Martin explores themes related to religion and politics in France. He uses caricatured figures to represent different factions within society - the nobility feasting while religious orders are depicted as flasks or bottles. This juxtaposition highlights the excesses of the upper class and their influence on religious institutions. The engraving's intricate details reveal physical deformations on some characters' faces which further emphasize their flaws or corrupt nature. Additionally, Jesus is portrayed amidst this chaotic scene suggesting criticism towards those who exploit religion for personal gain. Overall, this piece serves as a historical document reflecting the political climate of late 19th-century France. It offers viewers an opportunity to delve into the complexities of French society at that time through visual storytelling and satirical imagery.
MADE IN THE USA
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.
