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The Last Judgement and the Seven Works of Mercy, closed (oil on panel)
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The Last Judgement and the Seven Works of Mercy, closed (oil on panel)
471095 The Last Judgement and the Seven Works of Mercy, closed (oil on panel) by Orley, Bernard van (c.1488-1541); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Triptych commissioned by the Almoners of the Cathedral of Our Lady in Antwerp. At the centre, Christ, seated on a rainbow that symbolises the covenant between God and Humankind, passes Final Judgement. The Archangel Michael assists him by weighing the souls to separate the Just and the Damned. The former are admitted to Paradise, the latter are condemned to Hell. The Virgin Mary and John the Baptist, each accompanied by six apostles, are seated at the top of the wings. Works of mercy are feeding the hungry, giving the thirsty a drink, clothing the naked, sheltering the homeless, comforting the sick, ransoming religious prisoners, burying the dead.); © Art in Flanders
Media ID 28438232
© Art in Flanders / Bridgeman Images
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The Last Judgement and the Seven Works of Mercy
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is a captivating triptych that showcases Bernard van Orley's artistic brilliance. Commissioned by the Almoners of the Cathedral of Our Lady in Antwerp, this oil on panel masterpiece is housed in the Koninklijk Museum voor Schone Kunsten in Belgium. At its center, Christ, seated on a vibrant rainbow symbolizing God's covenant with humanity, administers Final Judgement. Assisting him is Archangel Michael, who weighs souls to separate the Just from the Damned. The former find solace in Paradise while the latter face condemnation in Hell. The wings of this altarpiece feature powerful imagery as well. The Virgin Mary and John the Baptist are seated at their summits, accompanied by six apostles each. These divine figures represent compassion and mercy. The closed panels reveal an equally profound message - "The Seven Works of Mercy". These acts include feeding the hungry, giving drink to those thirsty, clothing the naked, sheltering homeless individuals, comforting those suffering from illness or affliction, ransoming religious prisoners held captive unjustly, and burying deceased loved ones. This painting serves as a poignant reminder for Christians about their duty to help others selflessly. It emphasizes kindness towards marginalized communities such as those living with disabilities or experiencing poverty and homelessness. Van Orley's masterful brushstrokes bring these scenes to life while also inviting viewers into deep contemplation about charity and spirituality within Christianity.
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