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Coronation of the Virgin, 1851 (stained glass)

Coronation of the Virgin, 1851 (stained glass)


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Coronation of the Virgin, 1851 (stained glass)

3475283 Coronation of the Virgin, 1851 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Our Immaculate Lady of Victories, Clapham, London, UK; (add.info.: Manufactured by Hardman & Co.); eAlastair Carew-Cox; English, out of copyright

Media ID 23151100

© Alastair Carew-Cox / Bridgeman Images

Clapham Coronation Gothic Revival Gothick Neo Gothic Tracery Victorian Gothic Windows Ecclesiastical


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Architecture > Styles > Neo-Gothic Architecture

> Architecture > Styles > Victorian Architecture

> Arts > Artists > P > Augustus Pugin

> Arts > Artists > P > Augustus Welby Pugin

> Europe > United Kingdom > England > London > Towns > Clapham

> Fine Art Finder > Artists > Augustus Welby Northmore Pugin

> Fine Art Finder > Stained Glass

> Historic > Medieval architecture > Gothic architecture > Stained glass windows

> Historic > Medieval architecture > Victorian architecture > Stained glass windows


EDITORS COMMENTS
This stunning print captures the exquisite beauty of the "Coronation of the Virgin" stained glass window, created by Augustus Welby Northmore Pugin in 1851. Located in Our Immaculate Lady of Victories church in Clapham, London, this masterpiece was manufactured by Hardman & Co. , renowned for their exceptional craftsmanship. The image showcases the intricate details and vibrant colors that make stained glass windows such captivating works of art. The Coronation scene depicts Mary being crowned as Queen of Heaven by Jesus Christ himself, surrounded by a heavenly host. The Gothic Revival style is evident in the delicate tracery and architectural elements that frame this religious tableau. As a symbol of Christian devotion and faith, this window holds great significance to those who worship at Our Immaculate Lady of Victories. It serves as a reminder of Mary's role as an intercessor between humanity and divinity. The Victorian era saw a resurgence in religious art movements, with stained glass becoming increasingly popular among churches across England. This particular piece exemplifies both the neo-Gothic style prevalent during that time and Pugin's mastery as an architect and designer. Through Alastair Carew-Cox's lens, we are able to appreciate every detail with clarity while feeling transported into another world where spirituality meets artistic excellence. This print is not only a testament to Pugin's talent but also a celebration of our rich cultural heritage.

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