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Adam, 1880-81 (bronze)

Adam, 1880-81 (bronze)


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Adam, 1880-81 (bronze)

3472165 Adam, 1880-81 (bronze) by Rodin, Auguste (1840-1917); 194 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: modeled 1880 or 1881, cast 1910
Adam for Gates of Hell project.); French, out of copyright

Media ID 23628024

© Bridgeman Images

Ashamed Creation Fall Garden Of Eden Hell Impressionistic Shame Torment


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> Arts > Artists > R > Auguste Rodin

> Arts > Contemporary art > Sculpture > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings

> Arts > Sculpture

> Fine Art Finder > Artists > Auguste Rodin

> Fine Art Finder > Sculpture 19th/later 20th C

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This print showcases the iconic sculpture "Adam, 1880-81" by Auguste Rodin. Standing at an impressive height of 194 centimeters, this bronze masterpiece is housed in the prestigious Metropolitan Museum of Art in New York City. Rodin's Adam is a powerful representation of biblical imagery and human emotion. The artist skillfully captures the essence of shame and torment that engulfed Adam after his fall from grace in the Garden of Eden. The figure's nakedness symbolizes vulnerability and exposes his inner turmoil to viewers. The impressionistic style employed by Rodin adds depth and complexity to this thought-provoking artwork. Every curve, every contour speaks volumes about man's struggle with sin and our inherent imperfections as creations. Originally modeled in either 1880 or 1881, "Adam" was later cast in bronze for Rodin's ambitious Gates of Hell project. This sculpture serves as a poignant reminder of humanity's eternal quest for redemption amidst our own self-inflicted suffering. Bridgeman Images has masterfully captured this timeless piece through their lens, allowing art enthusiasts worldwide to appreciate its beauty even if they cannot physically visit the Met. As we gaze upon this image, we are reminded once again that art has the power to evoke deep emotions within us while transcending time itself.

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