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November, the Sower: Study for a Tile at Queens College Hall, Cambridge
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November, the Sower: Study for a Tile at Queens College Hall, Cambridge
5889051 November, the Sower: Study for a Tile at Queens College Hall, Cambridge, 1864 (w/c on paper) by Brown, Ford Madox (1821-93); 25.4x12.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright
Media ID 23288964
© The Maas Gallery, London / Bridgeman Images
Baskets Cambridge Fields November Scatter Scattering Seed Seeds Sower Sowing Studies Tile Tiles
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November, the Sower - Study for a Tile at Queens College Hall, Cambridge
EDITORS COMMENTS
. In this print by Ford Madox Brown, we are transported to the picturesque landscape of Queens College Hall in Cambridge. The painting depicts a scene from November, where a diligent man is sowing seeds across the vast field. With his basket filled with seeds and birds gracefully soaring above him, he scatters hope and potential into the fertile soil. The artist's attention to detail is evident in every brushstroke captured on paper. The vibrant colors bring life to the autumnal setting while conveying the essence of agricultural labor during this time of year. As we gaze upon this study for a tile, we can almost feel the crisp air and hear nature's symphony surrounding us. Brown masterfully captures both the physical act of sowing and its symbolic significance. This image serves as a reminder that hard work and perseverance are essential elements in nurturing growth and reaping rewards. It celebrates not only agriculture but also human resilience in facing challenges head-on. This mesmerizing artwork invites us to reflect on our own journeys as we navigate through life's seasons. It reminds us that even amidst uncertainty, there is beauty in embracing change and taking bold steps forward. As we admire "November, the Sower" let it inspire us to sow our own metaphorical seeds of dreams and aspirations with unwavering determination – just like this dedicated figure depicted within Brown's timeless masterpiece.
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