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The Submission of Philip, Landgrave of Hesen in 1547, plate 12 from

The Submission of Philip, Landgrave of Hesen in 1547, plate 12 from


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The Submission of Philip, Landgrave of Hesen in 1547, plate 12 from

BCC393563 The Submission of Philip, Landgrave of Hesen in 1547, plate 12 from The Military Achievements of Emperor Charles V, engraved by Dirk Volkertsz Coornhert (1522-90), 1555 (engraving & etching) by Heemskerck, Maarten van (1498-1574) (after); 17.7x23.3 cm; Private Collection; (add.info.: from a series of twelve; Charles V (1500-58) Holy Roman Emperor; Philip I of Hesse (1509-67) Protestant ruler, imprisoned after the victory of the Catholic forces in the Schmalcaldic Wars, 1547; imperial throne composed of personifications of the four Cardinal Virtues; ); Calmann & King Ltd; Netherlandish, out of copyright

Media ID 23475130

© Calmann & King Ltd / Bridgeman Images

Bishops Charles Quint Charles V 1500 1558 Charles V Holy Roman Emperor 1500 1558 Clerics Defeated Electors Emperor Charles 5 Emperor Charles V Enthroned Habsburg Hapsburg Holy Roman Empire Homage Humiliation Princes Protestantism Tribute Triumph Triumphant Victorious Northern Renaissance


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> Historic > Ancient civilizations > Roman Empire > Roman emperors

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art

> Northern renaissance paintings


The Submission of Philip, Landgrave of Hesen in 1547

EDITORS COMMENTS
is a captivating print that captures a significant moment in history. Created by Maarten van Heemskerck and engraved by Dirk Volkertsz Coornhert in 1555, this artwork depicts the aftermath of the Schmalcaldic Wars and the triumph of Catholic forces over Protestant ruler Philip I of Hesse. In this scene, we see Philip kneeling before an imposing imperial throne composed of personifications of the four Cardinal Virtues. The defeated prince pays homage to Emperor Charles V, who sits enthroned as a symbol of his victory. Surrounding them are clergy members and bishops representing both sides of the religious conflict. The print evokes a sense of humiliation for Philip and his fellow Protestants while highlighting the power dynamics between different factions within Holy Roman Empire during this tumultuous period. It also showcases van Heemskerck's mastery in capturing intricate details and conveying historical events through art. This artwork serves as a testament to the complex relationship between religion, politics, and power during the Northern Renaissance era. It reminds us how deeply intertwined these aspects were in shaping European history. Now part of a private collection but originally created as part of a series depicting Emperor Charles V's military achievements, this engraving offers viewers an opportunity to delve into Germany's rich past and reflect on its impact on modern Europe.

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