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Sorcerer selling to sailors the winds locked in the three nodes of a rope - in "
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Sorcerer selling to sailors the winds locked in the three nodes of a rope - in "
XEE4148210 Sorcerer selling to sailors the winds locked in the three nodes of a rope - in " Historia de Gentibus Septentrionalibus" (History of the peoples of the North) by Olaus Magnus, Rome 1555 by Unknown Artist, (16th century); Private Collection; (add.info.: Sorcerer selling to sailors the winds locked in the three nodes of a rope - in " Historia de Gentibus Septentrionalibus" (History of the peoples of the North) by Olaus Magnus, Rome 1555); Stefano Bianchetti; out of copyright
Media ID 23310156
© Stefano Bianchetti / Bridgeman Images
Charlatan Marine Occult Science Superstition Witchcraft Transport Vehicle
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This print takes us back to the 16th century, where superstition and mysticism were deeply intertwined with everyday life. In this scene from "Historia de Gentibus Septentrionalibus" by Olaus Magnus, we witness a sorcerer engaging in an intriguing transaction with sailors. The unknown artist skillfully depicts the sorcerer selling something extraordinary - the winds themselves, locked within three nodes of a rope. The sailors appear both curious and skeptical as they listen intently to his persuasive words. It is evident that this charlatan possesses knowledge of occult science and witchcraft, using it to entice those seeking supernatural powers or protection during their maritime journeys. The image transports us into a world where humans relied on ancient beliefs and practices for guidance in their daily lives. The boat serves as a symbol of transport vehicle, carrying not only physical cargo but also hopes, fears, and dreams across treacherous waters. Stefano Bianchetti's masterful engraving brings out every intricate detail of this historical moment. Through his artistry, we are reminded of the power that superstitions held over people's minds centuries ago. As we gaze upon this print from Fine Art Finder's private collection, we are invited to reflect on our own relationship with belief systems past and present. It serves as a reminder that even in today's modern world, traces of enchantment can still be found if one looks closely enough.
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