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The Chinese Emperor Guangxu (Kouang-siu or Kouang Siu) (1872-1908
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The Chinese Emperor Guangxu (Kouang-siu or Kouang Siu) (1872-1908
XEE4155629 The Chinese Emperor Guangxu (Kouang-siu or Kouang Siu) (1872-1908) officially recognized the Catholic Church and its hierarchy. Engraving in " Le Pelerin" 25/05/1899. by French School, (19th century); Private Collection; (add.info.: The Chinese Emperor Guangxu (Kouang-siu or Kouang Siu) (1872-1908) officially recognized the Catholic Church and its hierarchy. Engraving in " Le Pelerin" 25/05/1899.); Stefano Bianchetti; French, out of copyright
Media ID 23311486
© Stefano Bianchetti / Bridgeman Images
Catholic Cross Christendom Asian Asian Catholic Religion
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EDITORS COMMENTS
The print captures a significant moment in history, showcasing the Chinese Emperor Guangxu (Kouang-siu or Kouang Siu) officially recognizing the Catholic Church and its hierarchy. The engraving, featured in "Le Pelerin" on May 25th, 1899, highlights this momentous event during the late 19th century. In the image, we see the emperor standing tall with an air of authority and reverence. His regal attire signifies his position as a powerful leader within China. The presence of a cross prominently displayed suggests his acceptance of Christianity and its influence within his reign. This recognition by Emperor Guangxu holds great significance for both Christian believers and Chinese society as a whole. It marks an important step towards religious tolerance and understanding between different cultures and faiths. The artist behind this engraving is Stefano Bianchetti from France. Through his skilled craftsmanship, he brings to life this historical moment with vibrant colors that draw attention to both the emperor's figure and the symbol of Christianity. As we gaze upon this remarkable artwork, it serves as a reminder of how religion can bridge gaps between nations while also acknowledging cultural diversity. This photograph print stands as a testament to Guangxu's progressive mindset and willingness to embrace new ideas during an era marked by rapid change in China's history.
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