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The Taking of the Temple at Delphi by the Gauls, 1885 (oil on canvas)

The Taking of the Temple at Delphi by the Gauls, 1885 (oil on canvas)


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The Taking of the Temple at Delphi by the Gauls, 1885 (oil on canvas)

XIR24915 The Taking of the Temple at Delphi by the Gauls, 1885 (oil on canvas) by Cornet, Alphonse (19th century); Musee Francisque Mandet, France; (add.info.: The Capture of the Temple of Delphi by the Gauls; ); French, out of copyright

Media ID 23806640

© Bridgeman Images

Apparition Beheaded Celts Decapitated Head Doublet Gaulish Ghost Lightning Plundering Sacking Spectre Zeus


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The Taking of the Temple at Delphi by the Gauls, 1885

EDITORS COMMENTS
is a captivating oil on canvas painting that transports viewers back to ancient Greece. Created by Alphonse Cornet in the 19th century, this masterpiece captures a pivotal moment in history when the Gauls conquered and plundered the sacred temple. In this haunting scene, we witness a chilling clash between two worlds. The Gaulish warriors, adorned in their distinctive doublets and displaying their fierce Celtic spirit, have breached the walls of Delphi's revered sanctuary. Amidst flashes of lightning and an eerie atmosphere, they ruthlessly sack and pillage everything in sight. The artist skillfully portrays not only the brutality of war but also its supernatural consequences. A ghostly spectre hovers above as if witnessing this sacrilege against Zeus himself. The decapitated head of a fallen warrior serves as a grim reminder of lives lost during this tumultuous event. Cornet's attention to detail brings every element to life - from intricate royal garments to architectural features that transport us directly into ancient Greece. This painting serves as both a historical record and an artistic interpretation, capturing our imagination with its vivid portrayal of chaos and conquest. Displayed at Musee Francisque Mandet in France, "The Taking of the Temple at Delphi by the Gauls" continues to captivate audiences with its powerful narrative and masterful execution. It reminds us that even centuries later, art can still evoke emotions and transport us across time to experience significant

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