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The pending contest, published by Oliver Evans Woods : Herline & Hensel Lith
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The pending contest, published by Oliver Evans Woods : Herline & Hensel Lith
AQS336707 The pending contest, published by Oliver Evans Woods : Herline & Hensel Lith. Philadelphia, 1863 (litho) by American School, (19th century); 42.1x31.6 cm; American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: Confederate and Union soldiers fight with clubs provided by John Bull. He and Louis Napoleon or Napoleon III, (1808-65), Emperor of France, encourage the confederate soldier who tramples American flag; ); eCourtesy, American Antiquarian Society; American, out of copyright
Media ID 23709628
© Courtesy, American Antiquarian Society / Bridgeman Images
Civil Civil War Allegorical Monarch
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The Pending Contest
EDITORS COMMENTS
is a captivating lithograph that captures the tension and political climate of the American Civil War in 1863. The print, published by Oliver Evans Woods and Herline & Hensel Lith, showcases a scene where Confederate and Union soldiers engage in combat using clubs provided by John Bull, symbolizing Great Britain's involvement in the conflict. At the center of the image, Louis Napoleon or Napoleon III, Emperor of France, stands alongside John Bull as they encourage a Confederate soldier who callously tramples on an American flag. This provocative act highlights foreign interference and support for the Confederacy during this tumultuous period. The lithograph serves as both an allegory and a political cartoon. It depicts North America as a battleground between opposing forces with conflicting ideologies. The visual satire emphasizes themes of power struggles, military might, and political alliances. This historical artwork offers insight into the complex dynamics surrounding the American Civil War. It sheds light on how international powers played significant roles in shaping its outcome. Through clever caricatures and symbolism, "The Pending Contest" invites viewers to reflect upon notions of patriotism, loyalty, and national identity during this pivotal moment in United States history. Displayed at the American Antiquarian Society in Worcester Massachusetts since its creation over 150 years ago until now; it remains an important artifact that continues to provoke thought-provoking discussions about war propaganda and foreign interventionism.
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