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Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru

Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru


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Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru

3501245 Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe), 1794 (colour woodblock print) by Utamaro, Kitagawa (1753-1806); 37.7x25 cm; The Art Institute of Chicago, IL, USA; Clarence Buckingham Collection; Japanese, out of copyright

Media ID 23624454

© Clarence Buckingham Collection / Bridgeman Images

Array Attendant Attendants Cleaner Cleaning Lady Governess Housekeeper Housemaid Kimono Present Series Supreme Ukiyo E Beauties Bijin Chojiya Maid Toji Uchi


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EDITORS COMMENTS
This woodblock print by Utamaro, titled "Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno" is a stunning portrayal of traditional Japanese beauty. The print belongs to the series "Array of Supreme Beauties of the Present Day" and was created in 1794. In this portrait, Hinazuru takes center stage wearing an exquisite kimono adorned with intricate patterns. Her elegant hairstyle and graceful posture reflect her status as a woman of high society during that era. Standing beside her are her loyal attendants, Tsuruji and Tsuruno, who complement Hinazuru's beauty with their own charm. The attention to detail in this artwork is remarkable; every fold in the fabric and strand of hair has been meticulously crafted by Utamaro's skilled hand. The use of vibrant colors adds depth and liveliness to the scene, capturing the essence of ukiyo-e art. Utamaro masterfully captures not only physical beauty but also conveys a sense of gracefulness and poise through his subjects' expressions. This print offers a glimpse into the world of Edo-period Japan, where women like Hinazuru were admired for their elegance and refinement. Displayed at The Art Institute of Chicago as part of the Clarence Buckingham Collection, this woodblock print continues to captivate viewers with its timeless depiction of feminine allure. It serves as a testament to Utamaro's artistic prowess and remains an enduring symbol of

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