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The Flight of Antony and Cleopatra from the Battle of Actium, c. 1897 (oil on canvas)

The Flight of Antony and Cleopatra from the Battle of Actium, c. 1897 (oil on canvas)


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The Flight of Antony and Cleopatra from the Battle of Actium, c. 1897 (oil on canvas)

7268525 The Flight of Antony and Cleopatra from the Battle of Actium, c.1897 (oil on canvas) by Pringle, Agnes (1853-1934); 99.6x198.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: This historical journey marked the beginning of the end for Queen Cleopatra of Egypt and her lover, the Roman commander Mark Antony. They are shown fleeing on Cleopatras barge after their defeat in battle against the Roman Emperor Augustus. Cleopatra later killed herself with the bite of a snake, and Antony fell on his sword. Pictures of subjects from ancient Roman history were popular in 19th-century Britain. Agnes Pringle was born in Gateshead, and studied art in Newcastle before settling in London.); Tyne & Wear Archives & Museums

Media ID 25465220

© Tyne & Wear Archives & Museums / Bridgeman Images

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The Flight of Antony and Cleopatra - A Tragic Journey into History

EDITORS COMMENTS
. This print captures the dramatic moment in ancient Roman history when Queen Cleopatra of Egypt and her lover, Mark Antony, were forced to flee from the Battle of Actium. Painted by Agnes Pringle in 1897, this oil on canvas masterpiece measures an impressive 99.6x198.7 cm and is currently housed at the Laing Art Gallery in Newcastle-upon-Tyne, UK. The painting depicts a pivotal event that marked the beginning of the end for these ill-fated lovers. After suffering defeat against the Roman Emperor Augustus, Antony and Cleopatra are seen desperately escaping on Cleopatra's barge. The tension is palpable as they navigate treacherous waters while their dreams of power crumble around them. Agnes Pringle skillfully brings this historical journey to life with her meticulous attention to detail and masterful brushstrokes. Born in Gateshead and trained in art at Newcastle before settling in London, Pringle demonstrates her deep understanding of classical subjects through this powerful composition. During the 19th century, pictures depicting scenes from ancient Roman history were highly sought after by British audiences. This particular artwork not only showcases Pringle's artistic prowess but also serves as a poignant reminder of love's tragic consequences. As we gaze upon this print by Colin Davison, let us reflect on how even those who wield great power can be brought down by their own

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