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Rama reclining against Sita, while his brother Laksman draws a thorn from his foot

Rama reclining against Sita, while his brother Laksman draws a thorn from his foot


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Rama reclining against Sita, while his brother Laksman draws a thorn from his foot

FIT282880 Rama reclining against Sita, while his brother Laksman draws a thorn from his foot, 1845 (gouache, ink & gold on paper) by Indian School, (19th century); 21.4x15 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: seventh incarnation of Vishnu; Sita wife of Rama; ); eFitzwilliam Museum; Indian, out of copyright

Media ID 23211576

© Fitzwilliam Museum / Bridgeman Images

Attending Bow And Arrow Hindu Hinduism Kangra School


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EDITORS COMMENTS
This print showcases a mesmerizing moment from Indian mythology. In this artwork titled "Rama reclining against Sita, while his brother Laksman draws a thorn from his foot" we witness the tender bond between Rama and Sita, two iconic figures in Hinduism. Rama, the seventh incarnation of Vishnu, is depicted reclining comfortably against his beloved wife Sita. As he rests peacefully, Rama's loyal brother Laksman carefully removes a thorn from his foot with utmost care and devotion. This act of selfless service beautifully captures the essence of their relationship and highlights the importance of familial love and support. The intricate details portrayed in this 19th-century gouache, ink & gold on paper painting by an anonymous Indian artist truly bring these characters to life. The vibrant colors and traditional costumes further enhance the visual appeal of this masterpiece. Displayed at the Fitzwilliam Museum at the University of Cambridge in the UK, this artwork serves as a testament to India's rich cultural heritage and its deep-rooted connection with spirituality. It offers viewers a glimpse into ancient tales that continue to inspire millions around the world. Whether you are drawn to its religious symbolism or simply admire its artistic brilliance, this image invites contemplation and appreciation for both its historical significance and aesthetic beauty.

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