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War and peace, from L'assiette au Beurre, 1907 (print)
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War and peace, from L'assiette au Beurre, 1907 (print)
PCT4277101 War and peace, from L'assiette au Beurre, 1907 (print) by Galantara, Gabriele (Rata Langa) (1865-1937); (add.info.: War and peace, arm over arm with their respective attributes: sword, helmet and military medals for war, angel wings, dove, branch and olive crown for peace. Allegory (cartoon) by Gabriele Galantara (1867-1937) on the cover of the French satirical newspaper L'assiette au beurre No. 325 of 22 June 1907, on the occasion of the International Conference for Peace in The Hague - policy of disarmament - pacifism); Photo © Gusman
Media ID 28649131
© Gusman / Bridgeman Images
Disarmament Dove Doves Fender Friendship Gusman International Relations Lithos Olivier Outlandish Peace Skinny 1900 1909 Years 00 00s 1900 1910 Years 00 00s A Journal Mzprint Years 1900
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EDITORS COMMENTS
The print titled "War and Peace, from L'assiette au Beurre, 1907" captures a powerful allegory depicted by Gabriele Galantara. The image showcases the stark contrast between war and peace, with each represented by their respective attributes. On one side stands the symbol of war, armed with a sword, helmet, and military medals. On the other side is the embodiment of peace adorned with angel wings, holding a dove in one hand and an olive branch in another. This thought-provoking caricature was featured on the cover of the French satirical newspaper L'assiette au beurre No. 325 in June 1907 during the International Conference for Peace in The Hague. It aimed to promote disarmament and pacifism as essential elements for international relations. The artist's use of symbolism highlights humanity's perpetual struggle between conflict and harmony. The juxtaposition of these opposing forces emphasizes our collective responsibility to strive for peace amidst turbulent times. The lithograph print beautifully captures this outlandish yet profound representation of war and peace through its vibrant colors and intricate details. Its historical significance lies within its connection to early twentieth-century France when discussions about weapons, friendship among nations, and global disarmament were at their peak. This artwork serves as a reminder that even amidst chaos, there is always hope for unity if we choose diplomacy over aggression – an enduring message that resonates across time.
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