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Cover of "Le Grelot", number 92, Satirique en Couleurs
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Cover of "Le Grelot", number 92, Satirique en Couleurs
ICA4873938 Cover of " Le Grelot", number 92, Satirique en Couleurs, 1873_1_12: La toad Royaucrat - Republican - Marianne, Frog batracien, Royalte/Monarchy, Toad - Illustration by Alfred Le Petite(1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " Le Grelot", number 92, Satirique en Couleurs, 1873_1_12: La toad Royaucrat - Republican - Marianne, Frog batracien, Royalte/Monarchy, Toad - Illustration by Alfred Le Petite(1841-1909)); Photo eCaricadoc; French, out of copyright
Media ID 23343732
© Caricadoc / Bridgeman Images
Animalization Ease Le Petit Alfred 1841 1909 Marianne Royalist Movement Toad Tweezers Woman Symbol A Journal Caricadoc Journalism
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EDITORS COMMENTS
This print showcases the cover of "Le Grelot" number 92, Satirique en Couleurs, from 1873. The artwork titled "La toad Royaucrat - Republican - Marianne" is a satirical illustration by Alfred Le Petite (1841-1909). In this piece, we see a clever allegory depicting various symbols and themes such as the monarchy, republicanism, and French society. The central figure is a toad representing the royalist movement. It sits comfortably on an instrument labeled "ease" symbolizing the privileged position of royalty. On one side stands Marianne, personifying France and its republican ideals. She takes on the form of a frog batracien in this caricature. The image captures the tension between these opposing forces during that era. The reptilian nature of both characters adds depth to their portrayal while emphasizing their animalistic qualities. Alfred Le Petite's intricate engraving skillfully conveys complex ideas through visual symbolism. This artwork was featured on the cover of a journal known for its satirical content and colorful illustrations. As we delve into this thought-provoking image from the 19th century, it serves as a reminder of how art can be used as an instrument for social commentary and political critique. Its inclusion in Fine Art Finder allows us to appreciate not only its historical significance but also its artistic merit within European journalism at that time.
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