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Cover of "Le Grelot", number 878, Satirique en Colours

Cover of 'Le Grelot', number 878, Satirique en Colours


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Cover of "Le Grelot", number 878, Satirique en Colours

ICA4919580 Cover of " Le Grelot", number 878, Satirique en Colours, 1888_2_5: La recherche de la balle - Social - Michel Louise, Insects, Cat, Hanneton - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 878, Satirique en Colours, 1888_2_5: La recherche de la balle - Social - Michel Louise, Insects, Cat, Hanneton - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright

Media ID 22874522

© Caricadoc / Bridgeman Images

Anarchism Chat Louise 1830 1905 Michael Skull A Journal Caricadoc Journalism


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EDITORS COMMENTS
This print showcases the cover of "Le Grelot" number 878, a satirical journal published in France in 1888. The illustration by Edouard Guillaumin (Pepin) depicts a scene titled "La recherche de la balle - Social - Michel Louise, Insects, Cat, Hanneton". It features various elements including insects, a cat, and an intriguing search for a ball. The artwork is rich in detail and symbolism, capturing the essence of French political satire during the late 19th century. With its intricate engravings and clever caricatures, this piece reflects the spirit of anarchism prevalent at that time. The image also highlights the importance of journalism as it portrays a skull with writing on it—a powerful representation of press freedom and expression. Edouard Guillaumin's talent as an engraver shines through in this satirical drawing. His work not only entertained readers but also provided social commentary on issues such as politics and society. As we delve into this photograph from Fine Art Finder's collection, we are transported back to an era where cartoons held immense power to influence public opinion. This particular illustration serves as a reminder of France's vibrant artistic heritage and its contribution to European culture. Overall, this print captures both historical significance and artistic brilliance—an exquisite glimpse into 19th-century French satire that continues to fascinate viewers today.

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