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The busts loads of the "Celebrites du Juste Milieu"
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The busts loads of the "Celebrites du Juste Milieu"
JEB4888180 The busts loads of the " Celebrites du Juste Milieu" " Caricature of Count Francois Dominique Reynaud de Montlosier (1755-1838), pair of France or Count Marthe Camille Bachasson de Montalivet (1801-1880), pair of France. the Fourbe and the Ruse." Sculpture by Honore Daumier (1808-1879) 19th century. Inv L 48.27 Dim in cm H 20 x L 1 Musee des Beaux Arts, Palais Longchamp, Marseille by Daumier, Honore (1808-79); Palais de Longchamp, Marseille, France; (add.info.: The busts loads of the " Celebrites du Juste Milieu" " Caricature of Count Francois Dominique Reynaud de Montlosier (1755-1838), pair of France or Count Marthe Camille Bachasson de Montalivet (1801-1880), pair of France. the Fourbe and the Ruse." Sculpture by Honore Daumier (1808-1879) 19th century. Inv L 48.27 Dim in cm H 20 x L 1 Musee des Beaux Arts, Palais Longchamp, Marseille); eJean Bernard; French, out of copyright
Media ID 23733418
© Jean Bernard / Bridgeman Images
1808 1879 Daumier Honor And Xe9 Honore 1808 1879 Jeanbernard
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EDITORS COMMENTS
The photograph captures a stunning print of "The busts loads of the Celebrites du Juste Milieu" by Honore Daumier, displayed at the Musee des Beaux Arts in Palais Longchamp, Marseille. This 19th-century sculpture showcases the caricatures of Count Francois Dominique Reynaud de Montlosier and Count Marthe Camille Bachasson de Montalivet, both influential figures in France's history. Daumier's artistic genius shines through as he skillfully portrays these individuals with intricate details and subtle humor. The busts depict two contrasting personalities - "the Fourbe" (the Deceiver) and "the Ruse" (the Trickster). Through his masterful sculpting techniques, Daumier brings out their distinctive features and character traits. The composition is visually striking, with the juxtaposition of light and shadow enhancing the depth and texture of the artwork. The fine craftsmanship is evident in every curve and contour, showcasing Daumier's expertise as a sculptor. This print serves as a testament to Daumier's ability to capture not only physical likeness but also underlying emotions and personalities. It offers viewers an intriguing glimpse into French society during that era while providing entertainment through its satirical nature. As we admire this remarkable piece from Jean Bernard's collection, we are reminded of how art has always been a powerful medium for social commentary. Daumier's work continues to resonate today, reminding us that even centuries later, human nature remains unchanged.
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