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Saint Andrew and Donor, Saint James [2 panels], 1475-1500 (oil on panel)
![Saint Andrew and Donor, Saint James [2 panels], 1475-1500 (oil on panel)](/p/690/saint-andrew-donor-saint-james-2-panels-23473176.jpg.webp "Saint Andrew and Donor, Saint James [2 panels], 1475-1500 (oil on panel)")
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Saint Andrew and Donor, Saint James [2 panels], 1475-1500 (oil on panel)
2829751 Saint Andrew and Donor, Saint James [2 panels], 1475-1500 (oil on panel) by Flemish School, (15th century); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1967.; Flemish, out of copyright
Media ID 23473176
© Bristol Museums, Galleries & Archives Purchased, 1967. / Bridgeman Images
Crucifix Diptych Donor Martyr Northern Renaissance
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Saint Andrew and Donor, Saint James [2 panels]" created by the Flemish School during the 15th century. Painted with oil on panel, this diptych masterpiece is housed in the prestigious Bristol Museum and Art Gallery in the UK. The left panel depicts Saint Andrew, a prominent figure in Christian history known for his martyrdom on an X-shaped cross. His serene expression and graceful posture convey a sense of devotion and spiritual enlightenment. The intricate details of his flowing robes and delicate facial features are brought to life through the skilled brushstrokes of the artist. In contrast, the right panel portrays a donor alongside Saint James, another significant saint revered for his role as one of Jesus' apostles. The presence of a donor suggests that this artwork was commissioned by an individual seeking divine favor or expressing their piety towards these revered figures. The overall composition exudes Northern Renaissance aesthetics with its meticulous attention to detail, vibrant colors, and realistic portrayal of human anatomy. This painting serves as a testament to the artistic prowess prevalent during this era. As we gaze upon this remarkable print from Bridgeman Images, we are transported back in time to witness firsthand the beauty and religious significance captured within these two panels.
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