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It was Bayonet to Bayonet, illustration from
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It was Bayonet to Bayonet, illustration from
STC397058 It was Bayonet to Bayonet, illustration from Battles of the Nineteenth Century by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho) by Pearse, Alfred (19th/20th Century); Private Collection; (add.info.: Nicholsons defeat of the rebels at Najafgarh; The Battle of Najafgarh, 25th August 1857; During the Indian Rebellion or First War of Indian Independence; ); The Stapleton Collection; British, out of copyright
Media ID 22669462
© The Stapleton Collection / Bridgeman Images
British Army Mughal Empire Sepoys Swords
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The captivating print titled "It was Bayonet to Bayonet" takes us back in time to the Battle of Najafgarh during the Indian Rebellion of 1857. This intense illustration, created by Alfred Pearse, depicts a crucial moment when British soldiers clashed with rebel sepoys on horseback. The scene is filled with action and tension as both sides confront each other head-on. In this historical artwork, we witness the bravery and determination of the British army as they engage in combat against the rebels. The soldiers are shown wielding their swords fiercely, ready to defend their position and fight for victory. Horses gallop across the battlefield, adding an element of speed and chaos to the scene. The artist's attention to detail is evident in every stroke of his engraving technique. From the intricate armor worn by both sides to the expressions on their faces, Pearse skillfully captures the intensity and gravity of this significant battle. This print not only serves as a visual representation of a specific event but also provides insight into larger themes such as conflict, warfare, and colonial history. It reminds us of the struggles faced by different nations during times of rebellion and revolution. Overall, "It was Bayonet to Bayonet" offers viewers a glimpse into a pivotal moment in history while showcasing Pearse's artistic talent in capturing dramatic scenes from battles fought centuries ago.
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