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Copperplate engraving from Physica Sacra'by the Swiss scholar. Johann Jakob Scheuchzer
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Copperplate engraving from Physica Sacra'by the Swiss scholar. Johann Jakob Scheuchzer
5306587 Copperplate engraving from Physica Sacra by the Swiss scholar. Johann Jakob Scheuchzer by Scheuchzer, Johann Jakob (1672-1733); Universal History Archive/UIG
Media ID 27989014
© Universal History Archive/UIG / Bridgeman Images
Adam Age Of Enlightenment Copper Bible Eden Embarrassment Engravers Evil Factual Human History Johann Jakob Scheuchzer Johann Melchior Füssli Kupfer Bibel Natural Life Natural World Physica Sacra Representation Reptiles Scholar Seduction Shame Spirituality Temptation Copperplate Serpent Snakes Swissman
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EDITORS COMMENTS
This copperplate engraving from the renowned work "Physica Sacra" by Swiss scholar Johann Jakob Scheuchzer transports us back to the biblical era. The image depicts a scene from the Old Testament, specifically Adam and Eve in the Garden of Eden. With intricate detail and skillful artistry, Scheuchzer brings to life this spiritual narrative. The garden is lush with trees, symbolizing both nature's beauty and humanity's connection to it. A serpent slithers through the branches, representing temptation and evil. This allegorical representation highlights mankind's vulnerability to seduction and its consequences. Scheuchzer's scientific approach is evident in his meticulous sketches of not only human figures but also natural elements like plants and animals. His work bridges spirituality with an understanding of the natural world, reflecting the intellectual climate of the Age of Enlightenment. As we gaze upon this engraving, we are reminded of our shared human history as well as our place within the vast tapestry of natural life. It serves as a reminder that knowledge can be found not only within religious texts but also through observation and exploration. Johann Jakob Scheuchzer was not just an artist; he was a scholar who sought to uncover truth through factual representations. His "Physica Sacra" or "Copper Bible" stands as a testament to his dedication in merging science with spirituality. This print captures both admiration for Scheuchzer's talent as an engraver and appreciation for his contribution to European scholarship during his
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