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Portfolio of drawings by Mutio Oddi of Urbino and others, p120, c
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Portfolio of drawings by Mutio Oddi of Urbino and others, p120, c
2919740 Portfolio of drawings by Mutio Oddi of Urbino and others, p120, c.1635-40 (pen & ink on paper in bound volume) by Oddi, Muzio (1569-1639) (circle of); 35x24 cm; The University of St. Andrews, Scotland, UK; (add.info.: Bound album of drawings and manuscript material from the circle of Muzio Oddi, central and north Italy.); eUniversity of St. Andrews Library; Purchased with generous financial assistance from the National Fund for Acquisitions, 2008; Italian, out of copyright
Media ID 23144752
© University of St. Andrews Library Purchased with generous financial assistance from the National Fund for Acquisitions, 2008 / Bridgeman Images
Album Albums Designs Handwritten Manuscripts Mutio Oddi Muzio Oddi Notes Page Pages Plans Portfolio Portfolios Towers Urbino
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EDITORS COMMENTS
This print showcases a portfolio of drawings by Mutio Oddi of Urbino and others, dating back to the years 1635-1640. The intricate pen and ink creations are displayed within a bound volume measuring 35x24 cm, currently housed at The University of St. Andrews in Scotland, UK. The collection is an invaluable treasure from the circle of Muzio Oddi, an esteemed artist who lived between 1569 and 1639. Originating from central and north Italy, this bound album contains not only drawings but also manuscript material that offers a glimpse into the artistic world of that era. As one delves into these pages filled with handwritten notes and architectural designs, it becomes evident that this portfolio holds immense historical significance. The tower depicted in some drawings adds an element of grandeur to the overall composition. The attention to detail showcased in each building design highlights Oddi's exceptional talent as an architect. From elaborate plans to stunning architectural renderings, this collection provides insight into his creative process. Acquired by The University of St. Andrews Library in 2008 with generous financial assistance from the National Fund for Acquisitions, this Italian masterpiece is now available for study and appreciation by scholars worldwide.
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