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Study of a Girls Head (see also 198346)

Study of a Girls Head (see also 198346)


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Study of a Girls Head (see also 198346)

Ma198345 Study of a Girls Head (see also 198346) by Burne-Jones, Edward Coley (1833-98); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Media ID 23358698

© The Maas Gallery, London / Bridgeman Images

Fearful Pre Raphaelite


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones

> Arts > Realistic drawings > Portrait drawings > Fine art

> Fine Art Finder > Artists > Albert Joseph Moore

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Pre-raphaelites & Neo-classical


EDITORS COMMENTS
This print showcases the exquisite artwork titled "Study of a Girl's Head" by Edward Coley Burne-Jones, a renowned English artist from the Pre-Raphaelite movement. The portrait depicts a young female with an expression that exudes both fear and vulnerability, drawing viewers into her emotional world. Burne-Jones' meticulous attention to detail is evident in this piece, as he skillfully captures every chiseled feature of the girl's face. From her delicately arched eyebrows to her softly parted lips, each element is masterfully rendered. The artist's signature style shines through in his use of light and shadow, creating depth and adding an ethereal quality to the image. The subject's eyes seem to hold secrets untold, evoking curiosity within those who gaze upon this mesmerizing artwork. It is as if she has been caught in a moment of contemplation or perhaps even anticipation. Displayed against a plain background, the focus remains solely on the girl herself – allowing viewers to fully appreciate Burne-Jones' ability to convey emotion through his artistry. This print serves as a testament to his exceptional talent and artistic vision. As we delve into this powerful portrayal of youth and innocence tinged with trepidation, we are reminded once again why Burne-Jones remains one of history's most celebrated artists.

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