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Ponte Sisto, 1833 (etching with brown wash)
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Ponte Sisto, 1833 (etching with brown wash)
STC384880 Ponte Sisto, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Pont Janiculense de Sixte III; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; Erected for Sixtus IV (1471-84) to replace the ancient Pons Janiculensis or Pons Antoninus; Probably by Baccio Pontelli (c.1450-92); On the right bank is the 16th century Renaissance palace the Palazzo Farnese; ); The Stapleton Collection; Italian, out of copyright
Media ID 23254524
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print captures the timeless beauty of Ponte Sisto, an iconic bridge in Rome. Created in 1833 by Italian artist Agostino Tofanelli, this etching with brown wash showcases the exquisite architectural details and historical significance of this landmark. Originally known as Pont Janiculense de Sixte III, Ponte Sisto was constructed during the papacy of Pope Sixtus IV to replace an ancient bridge. The engraving was done by Pietro Fontana, highlighting his exceptional skill and attention to detail. The image portrays a picturesque view of the bridge spanning over the majestic Tiber River. On one side stands Palazzo Farnese, a magnificent Renaissance palace that adds grandeur to the scene. The composition perfectly captures the harmony between nature and man-made structures. With its elegant arches and intricate design, Ponte Sisto is not only a testament to Roman architecture but also serves as a reminder of Rome's rich history. This print offers viewers a glimpse into the past while showcasing Italy's artistic heritage. Part of The Stapleton Collection and now held in private ownership, this artwork allows us to appreciate both its aesthetic appeal and historical context. As we admire this enchanting depiction, we are transported back in time to experience Rome's charm through Tofanelli's masterful interpretation.
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