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Mamertine Prison, 1833 (etching with brown wash)

Mamertine Prison, 1833 (etching with brown wash)


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Mamertine Prison, 1833 (etching with brown wash)

STC384820 Mamertine Prison, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Prison Mamertine; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Originally a cistern (built 6thc BC) the Tullianum was used as a dungeon in Roman times; In Christian tradition St. Peter and St, Paul were imprisoned here; Later consecrated as San Pietro in Carcere; ); The Stapleton Collection; Italian, out of copyright

Media ID 22924950

© The Stapleton Collection / Bridgeman Images

Flare Jail Torch Underground Flambeau


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Styles > Roman Architecture

> Arts > Artists > B > Peter Brown

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Agostino Tofanelli

> Fine Art Finder > Legal,banking & Political Scenes


EDITORS COMMENTS
This etching with brown wash, titled "Mamertine Prison, 1833" takes us back in time to the ancient Roman era. The print showcases the Mamertine Prison, also known as the Tullianum, which was originally a cistern built in the 6th century BC but later used as a dungeon during Roman times. The artist behind this remarkable piece is Agostino Tofanelli (1770-1834), while Pietro Fontana (1762-1837) skillfully engraved it. This particular print comes from the private collection of The Stapleton Collection and belongs to an exquisite series called "Recueil des vues au bister dessinees et lavees par Callimachus". It offers a glimpse into Rome's antiquities and curiosities. Intriguingly, Christian tradition holds that both St. Peter and St. Paul were imprisoned within these very walls. Over time, this historic site was consecrated as San Pietro in Carcere. The image itself portrays a solemn scene: a female figure kneels down in prayer while holding a torch that casts an ethereal glow on her surroundings. A male figure stands nearby with his flambeau illuminating the underground architecture of this infamous jail. This engraving by Tofanelli captures not only historical significance but also evokes emotions through its masterful use of light and shadow. It serves as a testament to human resilience and faith

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PUBLIC WHIPPING, 1868. The public whipping post and pillory at New Castle, Delaware, 1868, one of the last states to continue the practice of public punishment. Contemporary American wood engraving after a drawing by Earl Shinn
PUBLIC WHIPPING, 1868. The public whipping post and pillory at New Castle, Delaware, 1868, one of the last states to continue the practice of public punishment. Contemporary American wood engraving after a drawing by Earl Shinn

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