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St Gregory attended by angels praying for souls in Purgatory
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St Gregory attended by angels praying for souls in Purgatory
CTS404700 St Gregory attended by angels praying for souls in Purgatory (pen & brown ink with brown wash and heightening) by Carracci, Annibale (1560-1609); 39.3x26.3 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Pope Gregory I (c.540-604), Gregory the great; Pope from 590 until his death; ); Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright
Media ID 22669572
© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images
Devotion Devout Limbo Lost Souls Piety Pious Suffering
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EDITORS COMMENTS
This print showcases Annibale Carracci's masterpiece, "St Gregory attended by angels praying for souls in Purgatory". The artwork, created with pen and brown ink, depicts Pope Gregory I surrounded by a host of celestial beings. Measuring 39.3x26.3 cm, this piece is part of the esteemed Devonshire Collections at Chatsworth. Pope Gregory I, also known as Gregory the Great, served as Pope from 590 until his death in 604. In this poignant image, he is shown kneeling in prayer while being accompanied by angelic figures who fervently intercede for the souls suffering in Purgatory. The artist's meticulous attention to detail and use of brown wash and heightening techniques bring depth and emotion to this religious scene. The composition exudes piety and devotion through its portrayal of a clergyman lost in prayer amidst a backdrop of heavenly beings. This sketch captures the essence of faith during the Renaissance period when spiritual matters held great significance. Carracci's work not only reflects religious themes but also explores concepts such as limbo and salvation that were prevalent during the 16th and 17th centuries. Through this print, viewers are transported back to an era where art was used to convey profound theological ideas. Reproduced with permission from Chatsworth Settlement Trustees via Bridgeman Images, this print offers a glimpse into one of Carracci's most remarkable creations – an evocative representation that continues to captivate audiences
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