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Letter addressed to the French Ambassador Pierre de Blacas d
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Letter addressed to the French Ambassador Pierre de Blacas d
JHG215569 Letter addressed to the French Ambassador Pierre de Blacas d Aulps regarding the Royal Museum of Egyptian Art in Turin, genealogical table from a temple in El-Haraba (letter 1, plate VI) 1824 (engraving) (b/w photo) by Champollion, Jean Francois (1790-1832); Bibliotheque du College de France, Paris, France; French, out of copyright
Media ID 23193086
© Bridgeman Images
Cartouche Duck Egyptology Hieroglyphic Hieroglyphics Lettre Linguistics Sign Signe Translating Translation Decoding Symbols
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EDITORS COMMENTS
This print captures a significant historical artifact - a letter addressed to the French Ambassador Pierre de Blacas d'Aulps regarding the Royal Museum of Egyptian Art in Turin. The engraving, created by Jean Francois Champollion in 1824, showcases a genealogical table from a temple in El-Haraba. The image is filled with intricate symbols and hieroglyphics, inviting us into the world of ancient Egypt. Each symbol represents an important piece of history waiting to be deciphered. With its owl-like eyes and regal cartouche, this artwork transports us back to the time when pharaohs ruled over vast kingdoms. Champollion's expertise in egyptology shines through as he meticulously decodes these mysterious hieroglyphics. His translation work has paved the way for our understanding of ancient Egyptian linguistics and culture. Intriguingly, amidst all these symbolic representations lies a small duck-like bird signifying life and fertility - an integral part of ancient Egyptian beliefs. As we gaze upon this remarkable piece, we are reminded that every stroke on this page holds immense significance. It serves as a testament to human curiosity and determination to unravel the secrets of our past. Jacqueline Hiegel's skillful capture brings out every detail with precision, allowing us to appreciate both the artistry behind Champollion's engravings and their historical importance. This print is not just an exquisite display; it is also an invitation to
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