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Caryatid IX, showing front and back views (back view at smaller scale) (w / c)
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Caryatid IX, showing front and back views (back view at smaller scale) (w / c)
3473879 Caryatid IX, showing front and back views (back view at smaller scale) (w/c) by Breton, Adela (1850-1923); Bristol Museum and Art Gallery, UK; (add.info.: Watercolour of caryatid IX, showing front and back views (back view at smaller scale).
Caryatid (properly called Atlantid) wears a white shell? and jade headdress, with jade armlets, ear plugs and necklace, with pink loincloth and legbands. Back view sh); eBristol Museums, Galleries & Archives; English, out of copyright
Media ID 23628562
© Bristol Museums, Galleries & Archives / Bridgeman Images
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EDITORS COMMENTS
This watercolor print showcases Caryatid IX, a remarkable piece of art by Adela Breton. The print offers both front and back views of the sculpture, with the back view depicted at a smaller scale. Caryatid IX, also known as Atlantid, is adorned in an exquisite white shell and jade headdress that exudes elegance and grace. The intricate details of her attire are truly mesmerizing - from the jade armlets, ear plugs, and necklace to the delicate pink loincloth and legbands. Breton's skillful brushstrokes bring this ancient Mexican artifact to life on paper. Through her artwork, she captures not only the physical beauty of Caryatid IX but also its archaeological significance. Displayed at Bristol Museum and Art Gallery in the UK, this watercolor sketch serves as a valuable resource for those interested in archaeology or Mexican history. It allows us to appreciate the craftsmanship of ancient civilizations while providing insight into their cultural practices. The fine detailing showcased in this print highlights Breton's meticulous attention to detail as an artist. Her work transports viewers back in time, allowing them to marvel at the intricacies of Caryatid IX's design. This stunning image is part of Bridgeman Images' collection available through Fine Art Finder. It serves as a testament to both Breton's artistic talent and our collective fascination with historical artifacts like Caryatid IX.
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