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Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c
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Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c
BEN232082 Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel) (detail of 43967) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 176x185 cm; Museo di San Marco, Florence, Italy; (add.info.: painting commissioned by Palla Strozzi; ); Photo eRaffaello Bencini; Italian, out of copyright
Media ID 22661830
© Raffaello Bencini / Bridgeman Images
Arimathie Deposition Descent From The Cross Florentine Renaissance Jerusalem Joseph Of Arimathaea Mary Magdalene Nicodeme Nicodemus St John
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EDITORS COMMENTS
This print showcases the intricate details of the Santa Trinita Altarpiece, a masterpiece created by Lorenzo Monaco (Piero di Giovanni) in the early 15th century. The altarpiece, completed around 1434, is a stunning example of Florentine Renaissance art and can be found at the Museo di San Marco in Florence, Italy. The photograph focuses on a specific detail of the altarpiece - a section featuring Fra Angelico's contribution to the artwork. Guido di Pietro/Giovanni da Fiesole, commonly known as Fra Angelico, was another renowned artist who added his touch to this magnificent piece. The panel measures an impressive 176x185 cm and is made using tempera and gold. Commissioned by Palla Strozzi, this painting depicts various scenes from biblical narratives such as Mary Magdalene's presence during Christ's crucifixion and Joseph of Arimathea assisting with Jesus' descent from the cross. The attention to detail and vibrant colors used by both artists bring these religious events to life. Captured by photographer Raffaello Bencini, this print allows us to appreciate every brushstroke and delicate element present in this historical artwork. It serves as a reminder of the immense talent possessed by these master painters during that period. As we gaze upon this image, we are transported back in time to witness firsthand the beauty and significance of Renaissance artistry within religious contexts.
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