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Cover of "Le Grelot", numbero 1061, Satirique en Couleurs
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Cover of "Le Grelot", numbero 1061, Satirique en Couleurs
ICA4922755 Cover of " Le Grelot", numbero 1061, Satirique en Couleurs, 1891_8_9: Pour avoir de bonne galette - Anticlericalisme, Religion - Cupidite/Avarice, Ralliement, Clerical Hypocrisy - Marianne, Charles Lavigerie Mgr (1825-1892), Cardinaux, Eveques - Illustration by Edouard Guillaumin (Pepin) (184min) (18449 2-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", numbero 1061, Satirique en Couleurs, 1891_8_9: Pour avoir de bonne galette - Anticlericalisme, Religion - Cupidite/Avarice, Ralliement, Clerical Hypocrisy - Marianne, Charles Lavigerie Mgr (1825-1892), Cardinaux, Eveques - Illustration by Edouard Guillaumin (Pepin) (184min) (18449 2-1910)); Photo eCaricadoc; French, out of copyright
Media ID 22874558
© Caricadoc / Bridgeman Images
Cardinal Carnival Circus Cupidite Disguising Eveque Mandolin Marianne Seduction Serenade Spectator Weight And Measurement Woman Symbol A Journal Caricadoc Journalism
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EDITORS COMMENTS
The print captures the vibrant and satirical cover of "Le Grelot" numbero 1061, a French journal known for its colorful satire. Created in 1891, the illustration by Edouard Guillaumin (Pepin) depicts a scene filled with symbolism and social commentary. At first glance, we see Marianne, the symbol of France, standing tall amidst a crowd that includes cardinals and bishops. The image highlights the theme of anticlericalism and religious hypocrisy prevalent during that time. The clergy is portrayed as greedy and hypocritical figures who hide their true intentions behind their robes. Intriguingly, a musician playing the mandolin serenades Marianne from an open window. This element adds an air of seduction to the scene while also suggesting that music has the power to captivate even those in positions of authority. The composition is rich with details that invite interpretation: from references to political rallying ("Ralliement") to questions about wealth and greed ("Cupidite/Avarice"). It is evident that this artwork aimed to provoke thought and challenge societal norms. Overall, this print offers us a glimpse into late 19th-century France through its clever caricatures and intricate storytelling. It reminds us how art can be used as a powerful tool for social critique while showcasing Guillaumin's skillful craftsmanship in capturing complex themes within one striking image.
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