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Cover of "Le Grelot", number 992, Satirique en N & B

Cover of 'Le Grelot', number 992, Satirique en N & B


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Cover of "Le Grelot", number 992, Satirique en N & B

ICA4924463 Cover of " Le Grelot", number 992, Satirique en N & B, 1890_4_13: L investiture des candidats au conseil municipal - Anticlericalisme, Conseil de guerre - Boulanger Georges (1837-1891), Rochefort Henri (1831-1913) - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 992, Satirique en N & B, 1890_4_13: L investiture des candidats au conseil municipal - Anticlericalisme, Conseil de guerre - Boulanger Georges (1837-1891), Rochefort Henri (1831-1913) - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright

Media ID 23718582

© Caricadoc / Bridgeman Images

Anticlericalism Corruption Cult Eucharist Host Journalist A Journal Caricadoc Journalism


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EDITORS COMMENTS
This print showcases the cover of "Le Grelot", number 992, a satirical journal from 1890. The illustration by Edouard Guillaumin (Pepin) depicts a significant event - the investiture of candidates for municipal council. In this thought-provoking artwork, we witness a powerful critique of various aspects of society. The image cleverly portrays anticlericalism and highlights the influence of religion on politics. Boulanger Georges (1837-1891) and Rochefort Henri (1831-1913), prominent figures in French politics at that time, are depicted alongside other political and religious figures. The engraving skillfully captures their expressions, revealing their roles in shaping government decisions. Symbolism is prevalent throughout the artwork; an oversized bag filled with money represents corruption within religious orders, while a caricatured clergyman holds an eucharist host as if it were a weapon against secular forces. These elements emphasize the artist's criticism towards certain practices within religious institutions. The attention to detail in this satirical drawing is remarkable; every line conveys meaning and adds depth to the overall message. It serves as both social commentary and journalistic insight into French society during the late 19th century. As we gaze upon this historical artifact captured by photographer eCaricadoc, we are transported back in time to witness an era where journalism played a crucial role in exposing societal issues through artful caricatures like these. This print allows us to appreciate not only its artistic value but also its significance as documentation of France's political landscape during that period.

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